{"id":571,"date":"2026-04-04T08:06:00","date_gmt":"2026-04-04T08:06:00","guid":{"rendered":"https:\/\/kabtil.com\/?p=571"},"modified":"2026-04-04T08:06:00","modified_gmt":"2026-04-04T08:06:00","slug":"ashley-mahers-music-of-hope-and-beauty-world-music-central","status":"publish","type":"post","link":"https:\/\/kabtil.com\/?p=571","title":{"rendered":"Ashley Maher&#8217;s music of hope and beauty | World Music Central"},"content":{"rendered":"<p><\/p>\n<div>\n<p>These are stressful times, so why not take a break and relax with a cup of tea? <em>tree to tree<\/em>. This is Ashley Maher&#8217;s latest album, released by Spin Wild Records (October 2025). Her warm vocals invite us to light and playful music. They run parallel with a multi-genre mix that moves easily from pop to folk to jazz to mubarax (more on African genres later) and back again.<\/p>\n<p>Ashley looks lithe while rocking her long red hair. But she&#8217;s more than just a dramatic presence. She is a California-based lyricist, singer, and dancer with a long-time love of Africa and its music. I recently spoke with her about her latest release, among other things.<\/p>\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><figcaption class=\"wp-element-caption\">From left to right \u2013 Milda Pegem (trumpet, Congo), Willy Bousset (bass, Gabon), Arione Sek (Sabar, Senegal), Ashley Maher, Papis Konate (producer, mix, keyboards, Senegal), Jean Mermoz (Benin, co-producer, keyboards). <\/figcaption><\/figure>\n<\/div>\n<p><strong>i love your vocals <em>tree to tree<\/em>. The tone is soothing and reminds me of hearing Joni Mitchell sing a great, compelling story. You\u2019ve probably heard this comparison before?\u2026(We both laugh).<\/strong><\/p>\n<p>I&#8217;ve heard that all my life. People notice similarities in our tone of voice and phrasing. Many years ago, when I was doing vocal training in Italy, some young singers were working hard on developing their voices. I started thinking, &#8220;How can I sing more naturally?&#8221;<\/p>\n<p><strong>T<\/strong><strong>His music on this album just feels natural. Could you please comment on that?<\/strong><\/p>\n<p>I went to Senegal for just two weeks of work. The time it takes to create an album is short. For the first few days, half of the musicians I normally work with were on tour, so I only had one day to record with them. We did three songs together. During their initial absence, I recorded five more songs with incredibly talented musicians from Benin, Gabon, Congo and the Ivory Coast. This gave the album an international feel beyond pure Mubaraks.<\/p>\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"583\" height=\"800\" src=\"https:\/\/kabtil.com\/wp-content\/uploads\/2026\/04\/1775311764_824_Ashley-Mahers-music-of-hope-and-beauty-World-Music.jpg\" alt=\"\" class=\"wp-image-113506\" srcset=\"https:\/\/i0.wp.com\/worldmusiccentral.org\/wp-content\/uploads\/Papis-Konate-Aminata-Barro-Ashley-Maher-and-Ken-Ngom.jpg?w=583&amp;ssl=1 583w, https:\/\/i0.wp.com\/worldmusiccentral.org\/wp-content\/uploads\/Papis-Konate-Aminata-Barro-Ashley-Maher-and-Ken-Ngom.jpg?resize=219%2C300&amp;ssl=1 219w\" sizes=\"auto, (max-width: 583px) 100vw, 583px\"\/><figcaption class=\"wp-element-caption\">Papis Konate, Aminata Baro, Ashley Maher, Ken Gom<\/figcaption><\/figure>\n<\/div>\n<p>The entire album was recorded almost live, as there was no time to do multiple takes and stitch them together. Sometimes when you press something together, <em>spontaneity<\/em> I don&#8217;t have time to think about anything, so these are my absolute words. It&#8217;s scary, but I love the energy this brings to the music.<\/p>\n<p><strong>Are you an experienced improviser?<\/strong><\/p>\n<p>Many singers are given a song and told to sing the alto part correctly. Unlike instrumentalists, they are not encouraged to improvise. In other words, someone who could scat like Ella Fitzgerald was an amazing person.<\/p>\n<p>In the late &#8217;80s, Bobby McFarlin, as some of you may know, had a vocal group called Voicestra. They performed an impromptu vocal concert. I studied with Rhiannon, who I sang with. She has been teaching vocal improvisation around the world for decades and has built a worldwide network of improvisers.<\/p>\n<p>Indeed, Ashley seems to be thriving with a fresh, unplanned sound. When she first traveled to Africa as a young dancer, she became fascinated with mubaraks, a genre found in Senegal and Gambia. This music includes intense polyrhythms and fast tempos. Mubaraks often include tightly cued moments in which the drums are played in unison with rapid intensity.<\/p>\n<p>Percussion is grouped together by the sabar, which is played with one hand and a stick, the tama or talking drum, which is shaped like an hourglass and whose pitch changes depending on the pressure of the arm, and the da, which is a tall lead drum that is struck while standing on the ground with a stick.<\/p>\n<p>She was also fascinated by the Senegalese Sabal dance performed with Mubaraks. I was able to raise my arms and legs high according to the rhythm. Ashley is tall like a Senegalese, so this dance felt liberating. After years of researching different dance forms from across Africa, Savard&#8217;s power, energy, and rhythmic complexity seemed a strange fit. <\/p>\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"790\" height=\"593\" src=\"https:\/\/kabtil.com\/wp-content\/uploads\/2026\/04\/1775311764_848_Ashley-Mahers-music-of-hope-and-beauty-World-Music.jpg\" alt=\"\" class=\"wp-image-113509\" srcset=\"https:\/\/i0.wp.com\/worldmusiccentral.org\/wp-content\/uploads\/Ashley-Maher-Band-Band-Photo-2.jpg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/worldmusiccentral.org\/wp-content\/uploads\/Ashley-Maher-Band-Band-Photo-2.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/worldmusiccentral.org\/wp-content\/uploads\/Ashley-Maher-Band-Band-Photo-2.jpg?resize=768%2C576&amp;ssl=1 768w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\"\/><figcaption class=\"wp-element-caption\">Mubaraks royal family. From left to right: Tierno Sarr (Youssou N&#8217;Dour bassist), Amadi Sidibe (guitar), Ashley, Samba Ndoku Mbaye (green, balls), Jean Mermoz (black t-shirt\/peer) (No, co-producer), Babakar Sek (Red Hat\/Sabadrum), Papis Konate (producer, engineer, mixer, keyboards), Abdullahi Law (Youssou) N&#8217;Dour (drummer). \u2013 Photo credit, Ashley\u2019s friend passing by with her iPhone<\/figcaption><\/figure>\n<\/div>\n<p>Since 2007, Ashley has traveled to Senegal every year, eager to make new connections. While other Western musicians may come and go from the continent, she has worked hard to build and maintain musical partnerships there. The strength of these collaborations is evident on her eighth album.<\/p>\n<p><strong>Your current album contains a more diverse musical language than previous albums I&#8217;ve heard. Vocals are fuller and more multi-tracked. Is this album a departure for you?<\/strong><\/p>\n<p>My albums before this were purely Mubaraks, with a team of Senegal&#8217;s best musicians. Some Senegalese music is rhythmically rich, while others are harmonically simple.<\/p>\n<p>But when we made this album, we had an influx of very talented musicians from Japan.<\/p>\n<p>Other African countries also go to Senegal. They had strong musical backgrounds in genres such as gospel and jazz. They took a different approach to music.<\/p>\n<p>Yes, this record was a departure, but it felt good. This is a better representation of my own musical vocabulary. Because I grew up listening to 70&#8217;s singer-songwriters, bands like Earth, Wind and Fire, funk, Brazilian music, and a little bit of jazz.<\/p>\n<p><strong>Did you prepare the songs in advance? Or did you make it on the spot?<\/strong><\/p>\n<p>My musicality is all by ear, but I arrived with all my songs written, planned, and arranged. It was a dream come true to work with Jean Mermoz, a great pianist from Benin. He was able to interpret and build on my demo beautifully. And he was excited about the arrangement. Willy Bousset is also a phenomenal bassist from Gabon who brought an extra level of heat to the mix.<\/p>\n<p><strong>On which tracks can you hear Busetto shine?<\/strong><\/p>\n<p>His bass solo at the end of the track.\u201d<em>music<\/em>\u201d <\/p>\n<p>surely, &#8220;<em>music<\/em>&#8220;The album opens with a gentle, catchy funk track. We hear a low-pitched female vocal that is both intimate and direct. Alongside her, soft, dancing keyboards, electric guitar, and bass intertwine. The singer describes the healing power of music as, &#8220;It&#8217;s here to set us free.&#8221;<\/p>\n<p>And this upbeat sensibility pervades several songs on the album. The second song is \u201c<em>salt &#038; pepper<\/em>&#8220;&#8221; is a straightforward and playful song. The song is about the ambivalence of middle-aged people about their hair turning gray. And finally, the singer praises the &#8220;salt and pepper warriors in my life.&#8221;<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\">\n<p>\n<iframe loading=\"lazy\" title=\"Ashley Maher - Salt and Pepper\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/EZ2FIpzTTXM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/p>\n<\/figure>\n<p>The third song draws us in even more with the percussive sounds of Mubarak on \u201c.<em>An American living in Dakar.<\/em>&#8220;This is a fun and imaginative take on a Sting pop song.&#8221;<em>British living in New York<\/em>\u201d he gave Ashley permission to record.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\">\n<p>\n<iframe loading=\"lazy\" title=\"Ashley Maher - American in Dakar\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/kGlbQ3vZYw0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/p>\n<\/figure>\n<p><strong>For me, t<\/strong><strong>the acoustic track <em>largely<\/em> This album is convincing. &#8220;<em>Nenam\u201d<\/em> is one of them. It feels like a fork. T<\/strong><strong>His pace is gentle and calm. It&#8217;s a delicate lullaby-like song that praises mothers. Contains pleasant performances by acoustic guitar and three vocalists.<\/strong><\/p>\n<p>Yes, this is a collaboration that dates back to the height of the coronavirus. This husband and wife team is called &#8220;Leergui Acoustic&#8221;. Ken Ngom is a very talented Senegalese musician who often posts videos of himself recording in his apartment. Although he has no training in music theory, his ear and musicality are incredible. And his wife, Aminata Baro, has this simple and unique voice.<\/p>\n<p><strong>In fact, &#8220;Leergui Acoustic&#8221; is just one point of inspiration for you. Does your musical inspiration come from different sources?<\/strong><\/p>\n<p>Yes, you&#8217;re right, many people write about romance as, &#8220;I miss you. I can&#8217;t stand it,&#8221; but after a while that theme starts to repeat itself. I&#8217;m thinking, &#8220;What else should I write?&#8221;<\/p>\n<p><em>music <\/em>My favorite of all the tracks. The inspiration was drawn from seeing a particular snapshot online of when Russia invaded Ukraine. There&#8217;s a video of Yo-Yo Ma playing the cello in front of the Russian embassy, \u200b\u200ba video of a girl singing in a bomb shelter, and another photo of what appears to be an angel on a pillar. The city was so afraid that their beloved statue would be bombed that they surrounded it with a giant pyramid of sandbags that came up to the statue&#8217;s chin.<\/p>\n<p>This song says that art, beauty, and music are always available to us. They belong to all of us. They are here as a means of resistance. Hope and beauty are here for all of us.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\">\n<p>\n<iframe loading=\"lazy\" title=\"Ashley Maher - Music\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/jbezCqlHrIA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/p>\n<\/figure>\n<p><em>And when we listen to Tree to Tree, we just feel a sense of hope and beauty. Ashley has grown as a musician, her voice has become richer, and this album covers a more diverse range of musical genres. Her music will inspire you to travel with us.<\/em><\/p>\n<div class=\"guerrillawrap\">\n<div class=\"guerrillagravatar\">\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" alt=\"\" src=\"https:\/\/kabtil.com\/wp-content\/uploads\/2026\/04\/Ashley-Mahers-music-of-hope-and-beauty-World-Music.png\" srcset=\"https:\/\/secure.gravatar.com\/avatar\/c2ee66327e196150fd38c996196b34a84fd380df9894bb607f53d08977412884?s=160&amp;d=identicon&amp;r=g 2x\" class=\"avatar avatar-80 photo\" height=\"80\" width=\"80\"\/>\n\t\t\t<\/div>\n<p>&#13;<\/p>\n<h4>author: <span>dorothy johnson laird<\/span><\/h4>\n<p>Dorothy Johnson-Laird comes from a long line of musicians, including a music teacher in England in the 1820s. As a child, she was trained in both classical and jazz piano. Dorothy holds a master&#8217;s degree in creative writing from Sarah Lawrence College. At New School University, I served as a research assistant for a course taught on gender issues and women in blues music. Dorothy&#8217;s passion is African music. She was previously a regular contributor to worldmusic.about.com.\n\t\t\t<\/p>\n<\/p><\/div>\n<div class=\"addtoany_share_save_container addtoany_content addtoany_content_bottom\">\n<div class=\"a2a_kit a2a_kit_size_32 addtoany_list\" data-a2a-url=\"https:\/\/worldmusiccentral.org\/ashley-mahers-music-of-hope-and-beauty\/\" data-a2a-title=\"Ashley Maher\u2019s Music of Hope and Beauty\"><img decoding=\"async\" data-recalc-dims=\"1\" src=\"https:\/\/kabtil.com\/wp-content\/uploads\/2026\/04\/1775311765_408_Ashley-Mahers-music-of-hope-and-beauty-World-Music.png\" alt=\"share\"\/><\/div>\n<\/div><\/div>\n<p>#Ashley #Mahers #music #hope #beauty #World #Music #Central<\/p>\n","protected":false},"excerpt":{"rendered":"<p>These are stressful times, so why not take a break and relax with a cup of tea? tree to tree. This is Ashley Maher&#8217;s latest album, released by Spin Wild Records (October 2025). Her warm vocals invite us to light and playful music. They run parallel with a multi-genre mix that moves easily from pop &#8230; <a title=\"Ashley Maher&#8217;s music of hope and beauty | World Music Central\" class=\"read-more\" href=\"https:\/\/kabtil.com\/?p=571\" aria-label=\"Read more about Ashley Maher&#8217;s music of hope and beauty | World Music Central\">Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":572,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,1],"tags":[2008,2006,55,2011,1834,2009,2010,824,2007],"class_list":["post-571","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-beauty","category-general","tag-ashley","tag-ashley-maher","tag-beauty","tag-central","tag-hope","tag-mahers","tag-music","tag-world","tag-world-music"],"_links":{"self":[{"href":"https:\/\/kabtil.com\/index.php?rest_route=\/wp\/v2\/posts\/571","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kabtil.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kabtil.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kabtil.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kabtil.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=571"}],"version-history":[{"count":0,"href":"https:\/\/kabtil.com\/index.php?rest_route=\/wp\/v2\/posts\/571\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kabtil.com\/index.php?rest_route=\/wp\/v2\/media\/572"}],"wp:attachment":[{"href":"https:\/\/kabtil.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=571"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kabtil.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=571"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kabtil.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=571"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}